CNC
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- Wooden cleat, to reinforce underneath a crack repair. Creating the angled/beveled the sides can make the difference between an amateur repair and professional work.
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- Repairing and plugging the damaged sides of this 1950s Martin 00-18. Someone thought it was a good idea to drive a hole into the side.
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- This acoustic guitar (the maker will not be outed here) left the factory with a mess of epoxy and very poor top to bridge contact. It came in for a typical lifting bridge repair, but we found a mess inside. Ended up removing all the epoxy, clearing and leveling the spruce top for inlay of a new flat matching spruce patch. Then finally reglued the bridge with hide glue. Better than ever now.
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- Gibson Les Paul broken headstock repair, with backstrap overlay of new Mahogany wood and lacquer finish touch up.
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- Repair of a badly damaged Gibson acoustic top. The break here was particularly nasty. It was repaired with a new tecnique I’ve been using in my recent work involving CNC technology in addition to more traditional luthier techniques.
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- Repair of a badly damaged Martin acoustic back. It was repaired with a new tecnique I’ve been using in my recent work involving CNC technology in addition to more traditional luthier techniques.
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- Probably the only step I actually look forward to in an acoustic guitar neck reset is covering my tracks and hiding the tiny hole I drilled to steam apart the neck for repair. The original bridge was toast so it made perfect donor wood.
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- Customer wanted a handmade bone copy of his original machined saddle. Mine is the one in front, made to 0.001″ tolerance length and thickness of original, but corrected height for better action and intonation on mine.